We’re always excited when Chichester Festival Theatre announce their new season and this year’s mix of classics, new plays and musicals is no exception. Don’t take our word for it though, read on to find out more… Continue reading
Tag: Shakespeare (page 1 of 4)
Shakespeare’s Globe is delighted to announce the Summer Season 2019. Celebrating and interrogating our ‘sceptred isle’ through Shakespeare’s history plays, a year-long journey begins with Richard II, opening 22 February in the Sam Wanamaker Playhouse, continuing into the Globe Theatre this summer with Henry IV Parts 1 and 2, and Henry V. The season also includes A Midsummer Night’s Dream, The Merry Wives of Windsor, Ben Jonson’s Bartholomew Fair, and the return of 2018’s As You Like It. Robin Hood tales will form the core of the Read Not Dead series this year, and festivals throughout the summer include Women & Power and Poland is Hamlet. This year’s Playing Shakespeare with Deutsche Bank production will be Romeo and Juliet, opening on 28 February, with 20,000 free tickets available to state secondary schools. The Shakespeare’s Globe Touring Ensemble will once again present a trio of plays for the audience to choose from: The Comedy of Errors, Pericles, and Twelfth Night.
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The Donmar announces full casting for Artistic Director Josie Rourke’s production of Measure for Measure by William Shakespeare. Joining the previously announced Hayley Atwell and Jack Lowden are Ben Allen, Matt Bardock, Nicholas Burns, Jackie Clune, Rachel Denning, Molly Harris, Adam McNamara, Raad Rawi, Sule Rimi, Anwar Russell and Helena Wilson. Continue reading
Antony Sher’s diaries, charting his exploration of some of Shakespeare’s most iconic roles, could easily be marketed as essential ‘how to’ guides for young actors , his honesty and anxiety must be reassuring for performers who no doubt all feel the same way at various points in their careers. Continue reading
We’re huge fans of Shakespeare here at Sitting In The Cheap Seats and there are few things better than the Bard’s work, done well, in the open air at Shakespeare’s Globe. In her inaugural season as Artistic Director Michelle Terry brings us some old favourites, a couple of interesting choices and a trio of new plays. Read on to find out all about the new season! Continue reading
Sope Dirisu as Caius Martius
Angus Jackson bookends the Royal Shakespeare Company’s Rome season, his traditional dress Julius Caesar having opened it he now caps it off with a modern set Coriolanus. If the latter is the least well known of Shakespeare’s Roman plays its central theme – dissent of the masses against an ignorant ruling class – is surely as pertinent as any of the Bard’s work in the current climate. Continue reading
Ian McKellen as Lear with Phil Daniels as the Fool and Sinead Cusack as Kent.
Way back in the early days of Sitting In The Cheap Seats we had our first opportunity to review a Shakespeare play. In Chichester Festival Theatre’s cosy Minerva space we saw Frank Langella lead a great cast and firmly add to our love of the Bard! Fast forward a few years and we’re back at the Minerva, once again awaiting an award winning actor to take on arguably the finest of roles! Continue reading
It’s somehow fitting that the last Shakespeare of Emma Rice’s final (summer) season is King Lear. A play that shows us how the established world can change based on one rash decision will certainly have some resonance at a venue who made the decision to terminate Rice’s employment as Artistic Director so early on. Continue reading
Josette Simon and Antony Byrne.
Photo by Helen Maybanks
After the heated political tension of Julius Caesar, the Royal Shakespeare Company’s Rome season continues with a foray into Egypt for Antony & Cleopatra. The mood here is, initially at least, much lighter than the previous visit to Mark Antony but there are still tensions in Rome! Continue reading
Andrew Woodall as Caesar.
photo by Helen Maybanks
It’s an accepted cliché that, whatever the prevailing political mood there is a Shakespeare play that adequately reflects, comments on or holds a mirror up to it. Like all the best clichés it has become so ingrained in the consciousness of theatregoers because it is largely true. Thus at a time when we worry about the power of world leaders like Trump and the ability of political parties with extremist views to gain momentum Julius Caesar seems incredibly apt. Continue reading
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