David Hare’s Plenty caused quite the stir when it was first staged in the late 70s. The story of a woman who found herself in war and then lost that sense of self in the return to normality seemed to strike a nerve and now, as we remember one of the greatest pushes of the second World War, seems a sensible time to return to the play. Continue reading
If you’re of a certain age and grew up in a time before Harry Potter dominated childrens literature then the author you went to for a sense of wonder (and often of the macabre) was Roald Dahl. Responsible for a clutch of stories still loved today perhaps his best rounded and most relatable tale is of the book loving rebel Matilda and the mostly ogre-ish adults she is surrounded by. Continue reading
Shadowlands, the William Nicholson play that charts the story of C.S. Lewis’ correspondence-turned-relationship with the American poet Joy Gresham, is such a perfect fit for the Chichester audience it’s almost a surprise it isn’t a regular feature here. “jack” Lewis’ evolution from Oxford don debating theology to heartbroken widower is a wonderful through line on which to hang a play. Continue reading
Clare Burt, Sheila Hancock and Kirsty MacLaren.
Credit: Johan Persson/
When I arrived at Chichester Festival Theatre last night to see the first production of this year’s season I was uncharacteristically unprepared. I’m normally that person who meticulously researches every little detail of a show before seeing it but like the changing of a season or the realisation you’re no longer as fit (or young) as you used to be the date rather crept up on me. Continue reading
Swan Lake is probably the first thing that will come to mind when you mention ballet to most people… rows of perfectly synchronised corps de ballet dancing to instantly recognisable Tchaikovsky orchestrations in graceful harmony. Anyone who has ever been face to face with an angry swan will recognise that they’re actually powerful, aggressive beasts and Matthew Bourne’s reimagining captures that perfectly. Continue reading
We’re always excited when Chichester Festival Theatre announce their new season and this year’s mix of classics, new plays and musicals is no exception. Don’t take our word for it though, read on to find out more… Continue reading
From the parents of The
Play That Goes Wrong comes a brand-new comedy all about growing up. Are we
the same people at 30 as we were at 13? Does school life determine our future?
Do we ever grow out of our school crush? Playing an unruly classroom of kids and
anarchic high school teenagers, through to the aches and pains of adulthood,
the original Mischief company are back in the West End with their first new
play since 2016.
When, way back in 2004, Green Day released American Idiot it was a clarion call for
the disaffected youth of the US. It leapt up the charts on a wave of critical
acclaim and commercial success and was much beloved of a certain callow young
music blogger in provincial Portsmouth. Fast forward 15 years and I don’t
perhaps listen to the album very often now but it still holds significance as
it’s first theatrical incarnation was one of the first theatre pieces I
reviewed and quite probably the point that convinced me to start this site.
Now, a good few years later here I am again in Southampton for the launch of a
new national tour.
Shakespeare’s Globe is delighted to announce the Summer Season 2019. Celebrating and interrogating our ‘sceptred isle’ through Shakespeare’s history plays, a year-long journey begins with Richard II, opening 22 February in the Sam Wanamaker Playhouse, continuing into the Globe Theatre this summer with Henry IV Parts 1 and 2, and Henry V. The season also includes A Midsummer Night’s Dream, The Merry Wives of Windsor, Ben Jonson’s Bartholomew Fair, and the return of 2018’s As You Like It. Robin Hood tales will form the core of the Read Not Dead series this year, and festivals throughout the summer include Women & Power and Poland is Hamlet. This year’s Playing Shakespeare with Deutsche Bank production will be Romeo and Juliet, opening on 28 February, with 20,000 free tickets available to state secondary schools. The Shakespeare’s Globe Touring Ensemble will once again present a trio of plays for the audience to choose from: The Comedy of Errors, Pericles, and Twelfth Night.
As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January.