Sope Dirisu as Caius Martius
Angus Jackson bookends the Royal Shakespeare Company’s Rome season, his traditional dress Julius Caesar having opened it he now caps it off with a modern set Coriolanus. If the latter is the least well known of Shakespeare’s Roman plays its central theme – dissent of the masses against an ignorant ruling class – is surely as pertinent as any of the Bard’s work in the current climate. Continue reading
Josette Simon and Antony Byrne.
Photo by Helen Maybanks
After the heated political tension of Julius Caesar, the Royal Shakespeare Company’s Rome season continues with a foray into Egypt for Antony & Cleopatra. The mood here is, initially at least, much lighter than the previous visit to Mark Antony but there are still tensions in Rome! Continue reading
Andrew Woodall as Caesar.
photo by Helen Maybanks
It’s an accepted cliché that, whatever the prevailing political mood there is a Shakespeare play that adequately reflects, comments on or holds a mirror up to it. Like all the best clichés it has become so ingrained in the consciousness of theatregoers because it is largely true. Thus at a time when we worry about the power of world leaders like Trump and the ability of political parties with extremist views to gain momentum Julius Caesar seems incredibly apt. Continue reading